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Golden Hour

Adam Marks February 24, 2023

GOLDEN RAYS crept through the curtains. Surfacing from sleep, Kevin opened his eyes and felt beneath his bed. 7.45. The equipment that had appeared about a week ago was still there. It was almost time. 7.46. Kevin knew what he had to do. 

Originally appeared in Locust #8. Splash image is a photograph by Richard Reilly of artwork by Tish Turl and Adam Turl.

He was the first up in his house. It’d been like that for a while now. His two housemates, Geraint and Thom had both been out the night before, probably to the rave on the common. It was all anybody had talked about for days. Kevin didn’t go though. It was just another small discipline he applied to himself now, cultivating order and eschewing hypergamy. Now he would wash. It was important to prepare but more and more difficult to do with growing dissociation. He looked down upon himself in the shower for several minutes, wondering if this was what going ghost meant. He didn’t get an answer though. 

There had been lots of signs, pointing him in this direction, sunwheels in his cornflakes, adverts for soy milk on Youtube, the near miss with ‘Sarah’ last year in the SU. Kevin didn’t like feeling as if he had escaped, so now, he figured, he’d just leap into the trap. It was hard being Pilled. 

“Haven’t you done it yet?” Someone asked Kevin as he brushed his teeth in the mirror. 

“Today,” he said, then rinsed out his mouth. “I promise.” 

Kevin stepped out onto the street, 8.23. It was cold, cloudy, the sky was now rust/grey. Even the air felt degraded. It was late, somebody would be sure to comment. Kevin slung the bag over his shoulder and marched down to the bus stop, sigma stride. No one had commented since the toothpaste. 

He turned the corner onto Milkwood Road. Kevin thought that maybe the schoolchildren walking by would give him a clue, but nothing. They seemed happy enough, talking to themselves though Kevin knew they were all falling behind. He had his own ‘education’ to tend to though, an early lecture from Mr Middleton. 

He’d tried to argue his way through lessons for a while now, against advanced theories of postmodernism that degraded objective truth. The world was real, tangible. Kevin knew that. It was tough to prove though. He wasn’t popular. He knew that as well. He was too honest, too real, awake amid the dream. No more arguing. It was time. 

Kevin walked past a newsagents on Milkwood Road. A sign outside said: “Know your game…” At least he thought he did. There was a bus headed down the road. It was not a 68, his bus, a number, 68, an expression of liberty, or so he read once. This advert on the side said something about “eternals…” An internet cafe (did they still exist? It had to be a front for something) over the road had a sign outside: “Transfer money to Nigeria.” That fixed him. Kevin smiled slyly. “Know your game.”

It wasn’t until Kevin got to the bus stop and looked at his soft reflection in the shelter that Someone commented: 

“Trust the plan.” 

“That’s an American slogan,” Kevin muttered before instantly going bashful. It wasn’t often that he answered back. 

“Where we go one…” They said. 

Kevin rolled his eyes at this. 

“Know who’s keeping you!” They said, firmly. 

Kevin eventually raised his eyes, back to his reflection, and eked out, “I do…” before noticing an elderly black woman looking at him oddly. Kevin turned away, then looked at his phone. 8.37. It had almost been an hour already and it hadn’t even started yet. He felt humiliated. 

The journey was too slow though. Kevin watched from the top deck, clasping his bag, nervous, tense. Too many people got on or got off or just got in the way. The traffic was building, the noise was pervasive, futility was everywhere. 8.48. Kevin tried to distract himself, contemplating the dichotomy of mascline order and feminine chaos, when a girl his age, blonde, buxom, short, clearly nordic, walked toward him. He thought he recognised her from campus perhaps. Kevin slipped back into an older mode, to a time when he tried to play The Game. “Know your game…” He smiled at her. She saw him doing this and looked… disgusted, or perplexed, almost horrified as she scuttled past, to the very back of the bus, probably. Kevin didn’t dare to look. It was just like when he tried to… 

“You’re a limp-dick little bitch,” a Voice hissed at him, painfully close. “I’m not!” Kevin protested. “I’m not like that. I’m…” Heads turned to look at him. Kevin buried his attention deeper into his bag. Keep the equipment safe. Did they know? 

“They know what you’re up to,” said the Voice. “You’re going to blow the whole thing. We should never have trusted you.” 

“I can do it,” Kevin whispered as faintly as he could. He clutched his bag. “I will do it.” 

“It doesn’t matter,” the Voice said, “either way, there’s no going back.” “No going back.” 

“Deus vult” said the Voice. 

Kevin did not answer though. The people he had come to know were split on this issue. They’d argue a lot about it on Gab. Kevin wasn’t sure about it. There were more important matters. Things to do. That’s why they sent Kevin the equipment and hid it under his bed. Every night, for a week, Kevin took the equipment out in his bedroom, assembled it, disassembled it, learned all he could, applied the discipline of his mind and body. He wanted to please his comrades. They did important work too, taking on

subversives, trans-perverts, health-fascists, the Woke Stasi. He’d seen the videos. He knew Black Lives Matter hadn’t surfaced on campus this year. He heard: “They got the message” as the bus passed the statue of William Gladstone on Aldwych circus. 8.55. “Still standing…” Kevin nodded. Resolve building. He didn’t really know who Gladstone was. He figured probably wouldn’t agree with him but free speech was important. This was important. 

He remembered guarding Winston Churchill last year. It felt good, really good, that day. It was good to stand up for history, good to defy the mask mandate, good to be among friends. Good, but, of course, he was alone in the crowd. He didn’t know anyone there. There was also the backlash. Kevin hadn’t been on good terms with his family for a while. Since that day he hadn’t spoken to his Dad though, a veteran, who should have been supportive but he couldn’t accept that the man who urinated on the memorial was not representative of patriots. “Leave them behind.” There was no chance now. “Do this now.” Time to break ties. “This is your stop.” 9.11. It was Kevin’s stop. He got up and rang the bell. He was late for his lecture. Deep breath in. No matter. He’d have to walk the rest of the way. Sigma stride. He had a job to do. He got off the bus. 9.13. Kevin’s golden hour had begun. 

... 

It was all over in a matter of minutes. The only reason I know was I looked at the clock at the back of the hall at the beginning and end. It’s stuck in my mind: 9.33 at the start, 9.36 at the end. 

The lecture was started. Some people were struggling to stay alert but I was wide awake, awake in a dream. Other people I know, friends skipped class, they’d been to the rave on the common. They were lucky. 

The door at the back clacked shut, closed, a few of us turned to look; that’s when I got that glimpse of the clock at the back of the room. It was Kevin. Kevin was late. The lecturer, Mr Middleton stopped, he stopped speaking, I think. We all knew Kevin. He was top of the group. No one really liked him. He was quiet, scowling. It was a bit of a surprise to see him late, but still; he said something like: 

“Don’t mind me.” 

Mr Middleton got back on with the class. It was all fine. Thinking about it now I can remember hearing this clicking and clacking behind my head. Kevin was setting up. I, uh, I like, didn’t give it a thought though, why would you? All was fine. Seconds later I saw Mr Middleton stop. He looked up from his text. He said: 

“Kevin?” 

And then there was these two zaps, first his chest, then his head blew open. It seemed to be happening in, like, slow motion. I couldn’t help but feel my senses tingle before the shock kicked in, it was astonishing, like turning inside out. I’ll never forget it. 

Again, it was in this slow arc, I turned... You could see Kevin with this gun, this huge black machine in his hands and an incredible, inflamed look on his face. Then he just started letting off rounds, everywhere. I crouched down as low as I could. I don’t know how any of it missed me. There were bits of wood and metal and glass flying everywhere.

After a few seconds there was a pause. I could see Kevin through a gap in the seats. There were a few dozen people in the room, across different rows. Kevin started looking along the rows, methodically, for survivors. He found one woman, zap, dead, he finished her off. There was no screaming or crying, I remember, I don’t know why. It was very strange. 

This happened a few times. It was so quiet and methodical. A couple of people bolted (we were all hiding, trying to hide). They must have been trying to get to the front door. Kevin shot them down. It was easy. They didn’t stand a chance. One guy used the distraction. He leapt up and tried to wrest Kevin’s gun away, grab it, take it away. He almost managed it too. Guthrie, yes, that was his name. I knew him a bit, see. They sort of wrestled. Then Guthrie got shot in the chest. I don’t know what happened to him. What happened to him? 

I was down at the front of the room. There was a fire exit not far from the lectern. I figured we were all dead. I sort of thought it without thinking, if you know what I mean…? So I tried creeping toward it, the exit, while this all was going on. I got to the point where I had to make a run for it because there was a gap, the last five or so metres, just a running step over Mr Middleton. I almost got to the door when I felt this pop, this bursting sensation in my right knee and just collapsed, like my legs had disappeared. 

I was on my front. I couldn’t get up but I could see Kevin approaching out the corner of my eye. I don’t know how I felt. It was all so strange. My heart was pounding, counting down maybe because my head... I couldn’t think. I had no thoughts. 

Then there was this click. I closed my eyes... But then I heard this Voice. It was a man’s voice, coming from the back of the room. It said: 

“That’ll do Kevin”. 

I couldn’t see. I felt like I was going to black out. Then Kevin said, “I understand”. Then there was another zap. I was still alive, but when I managed to turn around Kevin was dead. 9.36.


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In Issue #8, Fiction
← The Land of CokaygneInvitation to Lubberland →
editorial
Is Capitalist Realism Over? - Call for Submissions
Locust Arts + Letters Collective
June 25, 2026
Is Capitalist Realism Over? - Call for Submissions
Locust Arts + Letters Collective
June 25, 2026

As AI slop is weaponized into fascist aesthetics, as the ghosts of Stalin and Kautsky are resurrected on the left, as absurdities mount, has the mainstream prohibition on radical alternatives morphed into something else? To what degree have elements of capitalist realism — market Stalinism, business ontology, depressive hedonia, reflexive impotence — attenuated, allowing the return of “grand narratives,” however weakened? To what extent do these dynamics continue, including within the left itself? And what does it all mean for the working-class, the Left, and art?

Read more →
Locust Arts + Letters Collective
June 25, 2026

online
Technofascist Irrealism
Mike Watson
September 9, 2026
Technofascist Irrealism
Mike Watson
September 9, 2026

Our forebears said evil is banal, but still we were unprepared for the crushing weight of the everyday as it unfolds parallel to the shifting tectonic plates of history pursuing the darkest timeline. Politicians gather (like generals… in their masses) and pull levers that threaten to shift ethical poles and move continental thought patterns, leaving collateral damage in all four corners. A future army is set on the march. It might be made up of drones. It will be comprised of killers... Back home your son wants a particular dish, cooked in some specific way. The drains are blocked, in some anomalous way. The algorithms of war pump more data. The real estate magnate botches another sales pitch. It doesn’t matter — he’s not selling anyhow. He’s stealing. Meanwhile, you’ve got a lesson to teach, a bill to pay, a podcast to record, a meme to post, a pizza to cook… all as global techno fascism comes rolling in.

Read more →
Mike Watson
September 9, 2026
Der Burgerkrieg auf Normal Island
Adam Marks
July 24, 2026
Der Burgerkrieg auf Normal Island
Adam Marks
July 24, 2026

Whither the Burgerkrieg auf Normal Island? The UK economy is at near perfect standstill. The state is busy hammering the repression button, the only thing it knows works… and it’s not so sure it works.

Read more →
Adam Marks
July 24, 2026
The Eighteenth Brumaire of Nigel Farage
Adam Marks
July 4, 2026
The Eighteenth Brumaire of Nigel Farage
Adam Marks
July 4, 2026

Mainstream right wing politicians have been experimenting with summoning their fascist golems. Suella Braverman who, in November 2023, was Home Secretary, after being frustrated at being unable to prohibit a peace march in London on the same weekend as Armistice Day, suggested that ceremonies at the Cenotaph on Whitehall were under threat from “hate marchers” displaying “thuggish intimidation and extremism.” The far right took this, fairly obvious, cue and descended on Whitehall, drunk and high. With no one to fight, they first fought the cops, then each other. Plus la change. Braverman largely blamed the police for this debacle. By December 2023, she was a back bench MP.

Read more →
Adam Marks
July 4, 2026

Featured
In the Beginning was the Commune
Adam Turl
July 4, 2026
In the Beginning was the Commune
Adam Turl
July 4, 2026

The people who became us lived under oaks. / In the canopy two rat snakes were in love, / spending their days in a warm caduceus.

Read more →
Adam Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026

Thank you for participating in the end of the world. Your input helps us improve future catastrophes. Please complete the following fields to the best of your remaining ability.

Read more →
Tish Turl
July 4, 2026
The Strong Images Flew Away
Adam Turl
July 4, 2026
The Strong Images Flew Away
Adam Turl
July 4, 2026

Don’t bury your images in the yard. / You’re supposed to starve the faeries, / mow down grave mushrooms, / take off your Scotch bonnet and / burn your scalp with moonlight.

Read more →
Adam Turl
July 4, 2026

Featured
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

Read more →
Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

Read more →
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Toward the Theatrical Party
Irrealist Combat League
September 25, 2023
Toward the Theatrical Party
Irrealist Combat League
September 25, 2023

The Irrealist Combat League is for the construction of performances — for aberrant departures from the motions of everyday life, for the active imposition of proletarian will on space and time, for the enrichment of the political-imaginative capacity of the revolutionary class.

Read more →
Irrealist Combat League
September 25, 2023
Being with the Prophets
Adam Turl
December 1, 2022
Being with the Prophets
Adam Turl
December 1, 2022

Many of the best Marxist cultural interventions come from an intersection of Marxism and the Romantic/Gothic, either intentionally, or among Romantics moving into Marxism (even as they reject the Romantic),12 imparting a kind of working-class messianism. Because art cannot change the world — only the class can do that — this messianism often takes on a displaced character. Aaron to Moses. John the Baptist to Christ. Bodhisattva to Buddha.

Read more →
Adam Turl
December 1, 2022

Featured
The Boredom Artist
Adam Marks
July 4, 2026
The Boredom Artist
Adam Marks
July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

Read more →
Adam Marks
July 4, 2026
My Body Maps Political Forces
R. Faze
July 4, 2026
My Body Maps Political Forces
R. Faze
July 4, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

Read more →
R. Faze
July 4, 2026
Lucky Day in Hell
Adam Marks
July 3, 2026
Lucky Day in Hell
Adam Marks
July 3, 2026

“Who are… Do I know you…?” Jake was puzzled. The voice came from a woman, tall, olive skin with dark, greying curly hair. She was standing just inside the street light, on the corner of the alleyway, leading from the High Street to Dyvenor Road. After a moment of figuring this out Jake realised she was holding him, gently but firmly by the shoulder. “What do you want…?” 

Read more →
Adam Marks
July 3, 2026
My Body's Claims, Verified
R. Faze
April 23, 2025
My Body's Claims, Verified
R. Faze
April 23, 2025

The mansion had to be more than twenty thousand square feet, with five wings; it took up two acres. In the backyard, a giant infinity pool overlooking downtown L.A., a jacuzzi big enough for a football team, an industrial-size outdoor kitchen that could feed two hundred people, thirty-two-seat table made of rough-cut red wood with an eight-inch-thick top, three brick fireplaces, eight open firepits, two pizza ovens, and more trees and flowerbeds than in a Vegas resort.

Read more →
R. Faze
April 23, 2025

Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

Read more →
December 1, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025

In this book, Adam traces the haunted landscapes left behind by capital—abandoned factories, broken promises, digital ghosts—and asks what it means to make art in a world where both Heaven and Earth seem to have shut their doors. It’s part art theory, part manifesto, part séance. And in true Locust Radio fashion, it’s not just a critique—it’s a search for openings.

Read more →
May 3, 2025
Locust Radio Ep. 29 - Dead Bees on Hot Cement
November 14, 2024
Locust Radio Ep. 29 - Dead Bees on Hot Cement
November 14, 2024

In this episode of Locust Radio, Adam Turl interviews R. Faze, author of the My Body series published in Locust Review. This is part of an ongoing series of interviews with Locust members and collaborators on contemporary artistic strategies.

Read more →
November 14, 2024
Locust Radio Ep. 28 - Anupam Roy + Irrealist Expressionism
September 29, 2024
Locust Radio Ep. 28 - Anupam Roy + Irrealist Expressionism
September 29, 2024

In episode 28 of Locust Radio, Adam Turl is joined by Anupam Roy – an artist based in Delhi and member of the Locust Collective. This episode is part of a series of interviews of current and former Locust Collective members and contributors. It is being conducted as research for a future text by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a cybernetic Anthropocene.

Read more →
September 29, 2024

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