• editorial
    • locust #1
    • locust #2
    • locust #3
    • locust #4
    • locust #5
    • locust #6
    • locust #7
    • locust #8
    • locust #9
    • locust #10
    • locust #11
    • locust #12
    • locust #13
    • art
    • fiction + prosimetrum
    • interviews
    • non-fiction
    • poetry
    • Imago reposts
    • red wedge reposts
  • about locust
    • anupam roy
    • balm
    • daydreams and paving stones
    • evicted art
    • heavy shell tv
    • laura fair-schulz
    • locust radio
  • subscribe
  • digital
Menu

Locust Review

  • editorial
  • issue archive
    • locust #1
    • locust #2
    • locust #3
    • locust #4
    • locust #5
    • locust #6
    • locust #7
    • locust #8
    • locust #9
    • locust #10
    • locust #11
    • locust #12
    • locust #13
  • category archive
    • art
    • fiction + prosimetrum
    • interviews
    • non-fiction
    • poetry
    • Imago reposts
    • red wedge reposts
  • about locust
  • projects
    • anupam roy
    • balm
    • daydreams and paving stones
    • evicted art
    • heavy shell tv
    • laura fair-schulz
    • locust radio
  • subscribe
  • digital
×

Invitation to Lubberland

Unknown (17th Century) February 24, 2023

Appeared in the print edition of Locust #8.

There is a ship we understand,
Now riding in the river,
’Tis newly come from Lubberland,
The like I think was never;
You that a lazy life do love,
I’d have you now go over,
They say the land is not above,
Two thousand leagues from Dover.

The captain and the master too,
Does give us this relation,
And so does all the whole ship’s crew,
Concerning this strange nation:
The streets are paved with pudding-pies,
Nay, powdered-beef and bacon,
They say they scorn to tell you lies:
Who thinks it is mistaken?

The lofty buildings of this place,
For many years have lasted,
With nutmegs, pepper, cloves, and mace,
The walls are there rough casted,
In curious hasty-pudding boiled,
And most injenious carving;
Likewise they are with pancakes tied,
Sure, here’s no fear of starving. 

The captain says: ‘In ev’ry town,
‘Hot roasted pigs will meet ye,
‘They in the streets run up and down,
Still crying out: “Come eat me”’.
Likewise he says: ‘At ev’ry feast,
‘The very fowls and fishes,
‘Nay, from the biggest to the least,
‘Comes tumbling to the dishes.’ 

The rivers run with claret fine,
The brooks with rich canary,
The ponds with other sorts of wine,
To make your hearts full merry:
Nay, more than this, you may behold,
The fountains flow with brandy,
The rocks are like refinèd gold,
The hills are sugar-candy. 

There’s nothing there but holy-days,
With music out of measure;
Who can forbear to speak the praise,
Of such a land of pleasure?
There may you lead a lazy life,
Free from all kind of labour,
And he that is without a wife,
May borrow of his neighbour. 

There is no law nor lawyer’s fees,
All men are free from fury,
For ev’ry one does what he please,
Without a judge or jury.
The summer-time is warm, they say,
The winters ne’er the colder,
They have no landlord’s rent to pay,
Each man is a free-holder. 

You that are free to cross the seas,
Make no more disputation:
In Lubberland you’ll live at ease,
With pleasant recreation:
The captain waits but for a gale
Of prosperous wind and weather,
And then they soon will hoist up sail:
Make haste away together!


Subscribe to Locust Review for as little as $1 a month.
Submit work to Locust Review by e-mailing us at locust.review@gmail.com.

In Issue #8, Poetry
← Golden HourThe Red Temple →
editorial
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026

We are finalizing Locust Review 14, “Is Capitalist Realism Over?” Locust Review has always been influenced by Mark Fisher’s discussion of capitalist realism. But what if capitalist realism — tied to the political center — is over? As AI slop is weaponized into fascist aesthetics, as the ghosts of Stalin and Kautsky are resurrected on the left, as absurdities mount, has the mainstream prohibition on radical alternatives morphed into something else? Locust Review 14 will feature:

Read more →
Locust Arts + Letters Collective
October 26, 2026

art
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026

Tish Turl and Adam Turl, Soup for Your Family - tree, pantyhose, Campbell’s soup cans (2026)

Read more →
Tish Turl + Adam Turl
March 15, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026

Tish Turl and Adam Turl: Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1 - mixed-media collage and painting, digital prints, acrylic, marker, glitter, graphite, ink, coffee, stickers, cotton and ash on salvaged "thrift store painting," approx. 38 x 27 inches (2026)

Read more →
Tish Turl + Adam Turl
January 26, 2026

online
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026

I fell in love with Anupam’s work because it isn’t “what it is,” it's something more.  Anupam’s work is like slip healing fragments of broken clay.

Read more →
Adam Turl
September 30, 2026
 How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026
How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026

Because Ed Sheeran doesn’t exist. Not really. He may have at one point, but the avatar that cried onstage in Philadelphia and wants you to cry for him isn’t, in the end, a human with their own wants and needs, separate from the system he’s spent so much effort ingratiating himself to. Make enough decisions that fail to mark where you stand in relation to history, and you eventually vanish completely. Incapable of love, of fairness, of courage or even a modicum of individuality. Just another piece of flotsam aimlessly drifting through the tepid flow of capital. 

Read more →
Alexander Billet
September 25, 2026

Featured
Cruelty
Alexander Billet
July 30, 2026
Cruelty
Alexander Billet
July 30, 2026

Don’t worry. / Don’t hesitate. / You are good. / You are righteous. / And righteous goodness / can never be cruel.

Read more →
Alexander Billet
July 30, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026

One day I woke up / and somebody called me “elder,” / and I almost checked my pulse. / Then I remembered— / queer years run on dog-time.

Read more →
Tish Turl
July 28, 2026

Featured
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

Read more →
Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

Read more →
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

Featured
My Body Maps Political Forces
R. Faze
July 5, 2026
My Body Maps Political Forces
R. Faze
July 5, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

Read more →
R. Faze
July 5, 2026
The Boredom Artist
Adam Marks
July 4, 2026
The Boredom Artist
Adam Marks
July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

Read more →
Adam Marks
July 4, 2026

Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

Read more →
December 1, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025

In this book, Adam traces the haunted landscapes left behind by capital—abandoned factories, broken promises, digital ghosts—and asks what it means to make art in a world where both Heaven and Earth seem to have shut their doors. It’s part art theory, part manifesto, part séance. And in true Locust Radio fashion, it’s not just a critique—it’s a search for openings.

Read more →
May 3, 2025

balmlogo.jpg
locust-radio-small.jpg
locust-blogs.jpg
sub-framed-crop.jpg
 

Powered by the imagination of the noble locust.