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healingprop.jpg

The Healing Properties of Post-Industrial Debris

Adam Turl October 21, 2020
 
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THE RUMORS seem to be true. That’s what Eloise Moss thought as she shifted her feet in the bitter wind of the Canton, Illinois town square.

First the knee. Then the blood sugar. Then the lungs. Her thoughts pivoted off the pain radiating from her ankle.

45 years. She blinkered more than thought. Should’ve taken better care.

Her thoughts went back to the stories circulating on the edge of geocities. The debris healed people. Only post-industrial debris. No one knows why.

There was that article from The Akron Beacon Journal someone scanned and put on the message board. It was about an old man who found a rubber slab in his backyard. He claimed it cured his dementia. But no one could be certain he’s telling the truth, the article said. Because maybe he’s demented.

But more articles followed. Bolts from Maine shipyards curing ovarian cancer. A metal press in Chicago Heights curing baldness. That one seemed somehow disappointing. Abandoned grain elevators which, if you stand in their center, make you young again.

She was waiting for the City Museum to open. It was open three-hours a day, four days a week. She was going to steal the old International Harvester bell. The one that rang out when the shifts changed. Before the factory closed. Before it was burned to the ground. Before the bits that were worth anything were shipped off to China for recycling.

She knew that it would cure her. She didn’t really know she was dying. She hadn’t gone to the doctor. She couldn’t afford it. And anyway, the words being uttered terrified her. They would take her out of the dream of life. She had worked so hard to stay in that dream, refusing the accumulation of compromises that turn you into not-you.

But she did know.

Mrs. Marie Acorn Timelapse, the elderly woman who ran the City Museum, shambled toward the museum door, wrapped in what looked like a dozen jackets. She was breathless and angry looking, her head pointed down, until she noticed Eloise and forced a somehow still genuine smile. To this, Eloise thought, maybe even when you aren’t-you anymore you are-you. This was both scary and reassuring.

Marie opened to the door and welcomed Eloise.

“Are you here to see the middle school drawings of George Washington crossing the Delaware?” Mrs. Timelapse asked.

Eloise almost laughed but said, instead, “sure. Why not?”

As Marie slowly turned on lights and space heaters, Eloise paced in front of crude drawings of President Washington, pausing at one where the artist had drawn what looked like some sort of octopus-monster hovering above the slave-owner’s head.

Mrs. Timelapse, finished with her opening rounds and having caught her breath, turned to Eloise and asked after her father.

“He’s fine. The pacemaker is working great and he’s back at work.”

“Where’s he working now?”

“Mostly the hardware and automotive departments at the Wal-Mart.”

“I fucking hate that place,” Marie barked.

Eloise looked surprised, not at Marie’s attitude, but at her language.

“I know why you’re here.”

Eloise blanked.

“I’ll give it to you. But you have to share it. And keep it a secret. They will be coming for it soon.”

Eloise stammered. “Thank you.”

Mrs. Timelapse disappeared into the back of the Museum and returned lugging a huge metal bell, dumping it with a clang at Eloise’s feet.

“Wait here,” she said, “I need to give you something else. My niece has been collecting these from the brownfield.”

Marie opened a crate filled with bricks from the old factory.

“You’ll need these too,” she said. “Your cousin, the one with anemia, these will cure him. And that Black kid that lives down the street from you, Eric, this will cure him too.”

“Did this shit cure you?” Eloise had dropped the pretense of respecting elders.

“No. But it kept me alive even after I died.”

“What will happen when I take it?”

“I’ll die again. You have to be willing to die too. You have to keep this from them. You have to stop them from taking it. They’ll have all of us die if they get their hands on this shit.”

Marie spat when she swore. For some reason Eloise liked that.

“Oh,” Mrs. Timelapse seemed to recall something, “don’t share this with any of the assholes who work at the prison. They can’t be trusted. Besides, they’re all racists.”

Eloise nodded.

“I’ll need help carrying all of it,” Eloise said.

 
 

ELOISE’S COUSIN Billy finally pulled up to the curb. The snow had been falling for fifteen minutes. The little hairs on Eloise’s lip had started to freeze. It had been two hours since she called him. The crate, filled with the bricks and the shift bell, had a good inch of snow on its lid.

Billy was always surprised at fucked up shit. Which is why people called him WTF Billy or Billy WTF. The shit that he reacted to was usually, as noted, fucked up. But it was hardly ever surprising.

“Help me get this shit in your truck,” Eloise commanded.

After they situated the crate in the truck bed, Eloise opened it and grabbed one of the bricks. Seeing it out of the corner of his eye, Billy literally barked, “what the fuck, you got me moving old bricks? What the fuck for?”

“Hold this brick.”

Billy continued to look surprised.

“Just fucking hold it already.”

As Billy took the brick Eloise lit a cigarette and breathed in the cold smoke. And then she could see it in his eyes. He wasn’t tired anymore.

Billy was always one of two things. Surprised or tired. And, now, he was neither.

 
 

THE SUN was setting and it was freezing in her apartment. Eloise and Billy had put the crate, minus the brick that Billy took for himself, and a second brick he promised to deliver to Eric Little, in the middle of her living room. She stood and stared at it in the half-light until the cold forced her to seek out the thermostat. She couldn’t afford it but she turned the heat up past 65 anyway. Then she plopped down on the floor in front of the crate, and opened it.

 She slowly lifted the bell out by the handle and held it in her lap. She could feel it. Her circulation returned. She wasn’t freezing to death anymore. She was always freezing to death. Even in the swampy Midwestern summers. The pain in her toes and fingers was gone. Her focus returned. She was sharp. Like she used to be.

For a few minutes she was almost happy. And then she thought about Marie. The sun had set. There was nearly total darkness in the apartment.

It was then that Eloise said a little oath to herself.

She would die before she let them take the bell away from her town.


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In Issue #2, Fiction
← The ApplicantI Am (Not) Non Violent →
editorial
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026

We are finalizing Locust Review 14, “Is Capitalist Realism Over?” Locust Review has always been influenced by Mark Fisher’s discussion of capitalist realism. But what if capitalist realism — tied to the political center — is over? As AI slop is weaponized into fascist aesthetics, as the ghosts of Stalin and Kautsky are resurrected on the left, as absurdities mount, has the mainstream prohibition on radical alternatives morphed into something else? Locust Review 14 will feature:

Read more →
Locust Arts + Letters Collective
October 26, 2026

art
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026

Tish Turl and Adam Turl, Soup for Your Family - tree, pantyhose, Campbell’s soup cans (2026)

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Tish Turl + Adam Turl
March 15, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026

Tish Turl and Adam Turl: Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1 - mixed-media collage and painting, digital prints, acrylic, marker, glitter, graphite, ink, coffee, stickers, cotton and ash on salvaged "thrift store painting," approx. 38 x 27 inches (2026)

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Tish Turl + Adam Turl
January 26, 2026

online
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026

I fell in love with Anupam’s work because it isn’t “what it is,” it's something more.  Anupam’s work is like slip healing fragments of broken clay.

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Adam Turl
September 30, 2026
 How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026
How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026

Because Ed Sheeran doesn’t exist. Not really. He may have at one point, but the avatar that cried onstage in Philadelphia and wants you to cry for him isn’t, in the end, a human with their own wants and needs, separate from the system he’s spent so much effort ingratiating himself to. Make enough decisions that fail to mark where you stand in relation to history, and you eventually vanish completely. Incapable of love, of fairness, of courage or even a modicum of individuality. Just another piece of flotsam aimlessly drifting through the tepid flow of capital. 

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Alexander Billet
September 25, 2026

Featured
Cruelty
Alexander Billet
July 30, 2026
Cruelty
Alexander Billet
July 30, 2026

Don’t worry. / Don’t hesitate. / You are good. / You are righteous. / And righteous goodness / can never be cruel.

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Alexander Billet
July 30, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026

One day I woke up / and somebody called me “elder,” / and I almost checked my pulse. / Then I remembered— / queer years run on dog-time.

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Tish Turl
July 28, 2026

Featured
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

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Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

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Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

Featured
My Body Maps Political Forces
R. Faze
July 5, 2026
My Body Maps Political Forces
R. Faze
July 5, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

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R. Faze
July 5, 2026
The Boredom Artist
Adam Marks
July 4, 2026
The Boredom Artist
Adam Marks
July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

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Adam Marks
July 4, 2026

Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

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December 1, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025

In this book, Adam traces the haunted landscapes left behind by capital—abandoned factories, broken promises, digital ghosts—and asks what it means to make art in a world where both Heaven and Earth seem to have shut their doors. It’s part art theory, part manifesto, part séance. And in true Locust Radio fashion, it’s not just a critique—it’s a search for openings.

Read more →
May 3, 2025

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