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Long Hours Away from Home

Mike Linaweaver February 24, 2023

Originally appeared in Locust #8. Splash image is by Laura Fair-Schulz

it’s not enough,
vain beggar,
you holograph,
holograph-ed onto chilled paper.
an image of hands curled inward.
an image of smokestacks cutting ‘cross the horizon.
holographic wonder years.
image imaged.
crestfallen flag.
shadow game of grot and grim.
give me a machine gun.
this is love.
this is tilting love.
this is brass love,
oh death

brassy death and copper rounds,
spent shell casings.
brassy death and comrades,
green death and red death
and just death enough,
pocketfuls of death,
everything full and spilling,
spilling and spinning away like milk,
spinning away like milk in the black loam,
poured away like milk into silk flashing,
life and the living,
the struggle to bring meat to mouth,
ashes

and ashes.

to dust I spoke.
I never said a word in silence or pity.
I never said a word or spoke a spell or hex or curse,
never enough,
poor worker.
these hands,
these hands on mine are free and calloused.
these unknown hands far away,
so far from home.
neck stained blue with sweat,
hours from home,
oceans away from home by the hour.
a woman breathes and waits in the night 
for these hands,
for  anything.
shades of gray from home,
piles of cracked concrete from home,
ages from home
where a woman breathes and waits in the night
like unfinished suicides,
where a woman breathes and waits and slices
into the night

this is death,
these parasitic hours sitting through the night
searching for gold
or the tones of gold on the air,
sniffing for sight in a dead breakroom,
in a camel-backed car
and these hands are a million miles
from home.

god, to work like this,
to work like this forever
so far from yourself
sitting and waiting for those hands to cover yours,
to work like this,
spread thin like this,
unbearable distances in the night

imagine looking forward to your job 
because your second job swallows more time
and both swallow more of you than you have.
you never get you back.
you fall away a piece at a time,
an hour’s wage at a time,
groaning and dying one red cent at a time,
falling out of time,
your name written in thalidomide.
your name falling,
your bones turned to lead.
these hands in the night.

these hands.

what’s left of me,
what’s not left behind,
i’ll be home in the morning.
I’ll be home with the sun
to curl beneath your hands,
to settle in between you and the dogs,
to breathe beside you in the light of the TV
for a few soft hours

beneath the remains of the night.


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In Issue #8, Poetry
← The Republic of DreamsFree Black History →
Featured
Fascist Pizza
Editorial
Feb 12, 2025
Fascist Pizza
Editorial
Feb 12, 2025

American fascism has a plastic shopping mall nostalgia. It is the fascism, not of a young empire thwarted, but an empire in decline. It is, at one level, a photograph of an abandoned Pizza Hut with the caption “This is what they took from us.”

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Editorial
Feb 12, 2025
Featured
Theses on the Theatrical Party
Irrealist Combat League
Nov 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
Nov 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

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Irrealist Combat League
Nov 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
Oct 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
Oct 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

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Anupam Roy, Tish Turl and Adam Turl
Oct 31, 2023
Featured
My Body's Claims, Verified
R. Faze
Apr 23, 2025
My Body's Claims, Verified
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Apr 23, 2025

The mansion had to be more than twenty thousand square feet, with five wings; it took up two acres. In the backyard, a giant infinity pool overlooking downtown L.A., a jacuzzi big enough for a football team, an industrial-size outdoor kitchen that could feed two hundred people, thirty-two-seat table made of rough-cut red wood with an eight-inch-thick top, three brick fireplaces, eight open firepits, two pizza ovens, and more trees and flowerbeds than in a Vegas resort.

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R. Faze
Apr 23, 2025
In the Marshes
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May 11, 2024
In the Marshes
Adam Marks
May 11, 2024

“It snatched a dog two days ago, in Drapers Fields,” Detective Constable Habib explained back at the station to her superior, “right in front of its owner. They found its entrails wrapped around a lamppost on the High Road. It’s head was…”

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Adam Marks
May 11, 2024
Featured
Hospitality Engine
Tish Turl
Apr 29, 2025
Hospitality Engine
Tish Turl
Apr 29, 2025

Naugahyde seats crackle and groan under my knees, / sounds like taking shoes off at the end of the night, / when I remember that the first computer / was a woman named Ada Lovelace / who worked from home, mailing numbers to a Difference Engine

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Tish Turl
Apr 29, 2025
KCHUNK vs. The Bop Bags
Tish Turl
Apr 29, 2025
KCHUNK vs. The Bop Bags
Tish Turl
Apr 29, 2025

We walk in the firelight of foreclosed homes, / smoke thick as the ink of old contracts,

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Tish Turl
Apr 29, 2025

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