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Long Hours Away from Home

Mike Linaweaver February 24, 2023

Originally appeared in Locust #8. Splash image is by Laura Fair-Schulz

it’s not enough,
vain beggar,
you holograph,
holograph-ed onto chilled paper.
an image of hands curled inward.
an image of smokestacks cutting ‘cross the horizon.
holographic wonder years.
image imaged.
crestfallen flag.
shadow game of grot and grim.
give me a machine gun.
this is love.
this is tilting love.
this is brass love,
oh death

brassy death and copper rounds,
spent shell casings.
brassy death and comrades,
green death and red death
and just death enough,
pocketfuls of death,
everything full and spilling,
spilling and spinning away like milk,
spinning away like milk in the black loam,
poured away like milk into silk flashing,
life and the living,
the struggle to bring meat to mouth,
ashes

and ashes.

to dust I spoke.
I never said a word in silence or pity.
I never said a word or spoke a spell or hex or curse,
never enough,
poor worker.
these hands,
these hands on mine are free and calloused.
these unknown hands far away,
so far from home.
neck stained blue with sweat,
hours from home,
oceans away from home by the hour.
a woman breathes and waits in the night 
for these hands,
for  anything.
shades of gray from home,
piles of cracked concrete from home,
ages from home
where a woman breathes and waits in the night
like unfinished suicides,
where a woman breathes and waits and slices
into the night

this is death,
these parasitic hours sitting through the night
searching for gold
or the tones of gold on the air,
sniffing for sight in a dead breakroom,
in a camel-backed car
and these hands are a million miles
from home.

god, to work like this,
to work like this forever
so far from yourself
sitting and waiting for those hands to cover yours,
to work like this,
spread thin like this,
unbearable distances in the night

imagine looking forward to your job 
because your second job swallows more time
and both swallow more of you than you have.
you never get you back.
you fall away a piece at a time,
an hour’s wage at a time,
groaning and dying one red cent at a time,
falling out of time,
your name written in thalidomide.
your name falling,
your bones turned to lead.
these hands in the night.

these hands.

what’s left of me,
what’s not left behind,
i’ll be home in the morning.
I’ll be home with the sun
to curl beneath your hands,
to settle in between you and the dogs,
to breathe beside you in the light of the TV
for a few soft hours

beneath the remains of the night.


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In Issue #8, Poetry
← The Republic of DreamsFree Black History →
editorial
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026

We are finalizing Locust Review 14, “Is Capitalist Realism Over?” Locust Review has always been influenced by Mark Fisher’s discussion of capitalist realism. But what if capitalist realism — tied to the political center — is over? As AI slop is weaponized into fascist aesthetics, as the ghosts of Stalin and Kautsky are resurrected on the left, as absurdities mount, has the mainstream prohibition on radical alternatives morphed into something else? Locust Review 14 will feature:

Read more →
Locust Arts + Letters Collective
October 26, 2026

art
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026

Tish Turl and Adam Turl, Soup for Your Family - tree, pantyhose, Campbell’s soup cans (2026)

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Tish Turl + Adam Turl
March 15, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026

Tish Turl and Adam Turl: Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1 - mixed-media collage and painting, digital prints, acrylic, marker, glitter, graphite, ink, coffee, stickers, cotton and ash on salvaged "thrift store painting," approx. 38 x 27 inches (2026)

Read more →
Tish Turl + Adam Turl
January 26, 2026

online
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026

I fell in love with Anupam’s work because it isn’t “what it is,” it's something more.  Anupam’s work is like slip healing fragments of broken clay.

Read more →
Adam Turl
September 30, 2026
 How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026
How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026

Because Ed Sheeran doesn’t exist. Not really. He may have at one point, but the avatar that cried onstage in Philadelphia and wants you to cry for him isn’t, in the end, a human with their own wants and needs, separate from the system he’s spent so much effort ingratiating himself to. Make enough decisions that fail to mark where you stand in relation to history, and you eventually vanish completely. Incapable of love, of fairness, of courage or even a modicum of individuality. Just another piece of flotsam aimlessly drifting through the tepid flow of capital. 

Read more →
Alexander Billet
September 25, 2026

Featured
Cruelty
Alexander Billet
July 30, 2026
Cruelty
Alexander Billet
July 30, 2026

Don’t worry. / Don’t hesitate. / You are good. / You are righteous. / And righteous goodness / can never be cruel.

Read more →
Alexander Billet
July 30, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026

One day I woke up / and somebody called me “elder,” / and I almost checked my pulse. / Then I remembered— / queer years run on dog-time.

Read more →
Tish Turl
July 28, 2026

Featured
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

Read more →
Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

Read more →
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

Featured
My Body Maps Political Forces
R. Faze
July 5, 2026
My Body Maps Political Forces
R. Faze
July 5, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

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R. Faze
July 5, 2026
The Boredom Artist
Adam Marks
July 4, 2026
The Boredom Artist
Adam Marks
July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

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Adam Marks
July 4, 2026

Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

Read more →
December 1, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025

In this book, Adam traces the haunted landscapes left behind by capital—abandoned factories, broken promises, digital ghosts—and asks what it means to make art in a world where both Heaven and Earth seem to have shut their doors. It’s part art theory, part manifesto, part séance. And in true Locust Radio fashion, it’s not just a critique—it’s a search for openings.

Read more →
May 3, 2025

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