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The Republic of Dreams

Alexander Billet February 24, 2023

This morning 
I saw a shopping cart
trundling down the sidewalk by itself
weighed down with wet paper pulp 
mildewed grocery bags
and greasy chicken bones.

Smelled of underpasses,
fitful sleep,
mental breakdowns on subway platforms.

Originally appeared in the print edition of Locust #8. Splash image by Laura Fair-Schulz.

I am your home it shouted at me,
a starved number,
a deflected machine,
a monologue in rust.

I tried to reply
rebuff
refute
but by then it was already hugging
a shiny new fighter jet
in the ionized air.

Just another Tuesday.
Whenever this train stops
long enough for me to think,
I can hear your condescension:
rehearsed in your head
and squeezed through pursed lips.

How sad, the refrain goes.
We would like to do something…

Words of empathy:
fashion accessories,
useful like a landmine.

I’d report them to the International
Criminal Court but I’ve had
too much coffee this morning 
and can’t keep any of my houseplants alive.

The succulents are snickering under their breath.
Even cacti wither to spite me.

Now I’m standing here asking
why I can’t remember any of my own poems.

Congealed grief.
Hopes rotted and dried out,
uprooting themselves.
A cypress in a wildfire
our parents insist
is still safe to climb.

On the other side
there is a planet
of bright green fields
spinning
desperately
to get out.

Past times
we taught it to sing
the verses of Shelley and Blake,
Morris and Le Guin.
We had language 
with substance
and nourishment.
Before we were coerced
how to speak our own (non-)futures.

Today we feed it – 
when we remember it – 
with humanitarian promises.

Charity is a bunch of empty calories,
sugar for the liberal soul.
Won’t bring my snake plant back to life.

In a more ordered hell,
the gaps in cynicism were wide enough
to drive a truck through,
smuggling arms to freedom fighters
in the Republic of Dreams. 

Now the six o’clock news
is full spectrum,
following us around in our back pockets,
burning holes in our hope.

Our deepest fears
layered tightly 
into memes.
Futile prayers
they stay trapped on the screen.

Here is the father
whose spine is the shape of a bus,
and the child who can only smell sulfur now. 

Over here the teenager 
who puffed cesium onto her cheeks.
Her best friend
who dreads his parents
having another baby
while he rummages through the scrap yard.

Next to them,
the janitor at the munitions plant,
who every night has nightmares
about the fighter jet’s embrace.

There’s an overworked metalsmith
somewhere in North Carolina.
He should be proud
of the soothsaying shopping cart 
he built five years ago.
The throb of repetitive stress
makes it impossible to concentrate.

Last year
the union came in
for a spell.
Held the election too early.
Lost badly.
His work is better suited 
for panic attacks
than anything smacking of pride.

Days
built from deafening strains.

So it goes.
For him.
For everyone.
Everyone but you.

But someone must, you say.
Better him than us, you imply.
Back on the bright green planet,
the long-lost republic
rediscovered: 
an assembly of objects – 
steam engines and fry-o-laters,
obsolete iPods,
misshapen bike wheels – 
stamped and bent
into community rec centers,
schools and hospitals,
vowing to make themselves useful 
for our children.

Old roads are made new,
dirt and gravel pointing us back
to the places we forgot
that still live – barely, faintly
– at the roots of our nerves.

Itching to tell us
it’s okay
you can rest now,
cry now,
mourn,
then get up and live.

It’s nine fifteen.
I’m late for work
and am considering getting a ficus.


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Submit work to Locust Review by e-mailing us at locust.review@gmail.com.

In Issue #8, Poetry
← Big Rock Candy MountainLong Hours Away from Home →
editorial
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026
Locust 14 is Coming: Is Capitalist Realism Over?
Locust Arts + Letters Collective
October 26, 2026

We are finalizing Locust Review 14, “Is Capitalist Realism Over?” Locust Review has always been influenced by Mark Fisher’s discussion of capitalist realism. But what if capitalist realism — tied to the political center — is over? As AI slop is weaponized into fascist aesthetics, as the ghosts of Stalin and Kautsky are resurrected on the left, as absurdities mount, has the mainstream prohibition on radical alternatives morphed into something else? Locust Review 14 will feature:

Read more →
Locust Arts + Letters Collective
October 26, 2026

art
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026
Soup for Your Family
Tish Turl + Adam Turl
March 15, 2026

Tish Turl and Adam Turl, Soup for Your Family - tree, pantyhose, Campbell’s soup cans (2026)

Read more →
Tish Turl + Adam Turl
March 15, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026
Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1
Tish Turl + Adam Turl
January 26, 2026

Tish Turl and Adam Turl: Born Again Labor Tract 50: Self-Portrait with Redacted Atrocity #1 - mixed-media collage and painting, digital prints, acrylic, marker, glitter, graphite, ink, coffee, stickers, cotton and ash on salvaged "thrift store painting," approx. 38 x 27 inches (2026)

Read more →
Tish Turl + Adam Turl
January 26, 2026

online
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026

I fell in love with Anupam’s work because it isn’t “what it is,” it's something more.  Anupam’s work is like slip healing fragments of broken clay.

Read more →
Adam Turl
September 30, 2026
 How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026
How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026

Because Ed Sheeran doesn’t exist. Not really. He may have at one point, but the avatar that cried onstage in Philadelphia and wants you to cry for him isn’t, in the end, a human with their own wants and needs, separate from the system he’s spent so much effort ingratiating himself to. Make enough decisions that fail to mark where you stand in relation to history, and you eventually vanish completely. Incapable of love, of fairness, of courage or even a modicum of individuality. Just another piece of flotsam aimlessly drifting through the tepid flow of capital. 

Read more →
Alexander Billet
September 25, 2026

Featured
Cruelty
Alexander Billet
July 30, 2026
Cruelty
Alexander Billet
July 30, 2026

Don’t worry. / Don’t hesitate. / You are good. / You are righteous. / And righteous goodness / can never be cruel.

Read more →
Alexander Billet
July 30, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026
Letter to the Young Queers from Someone who Accidentally Got Old
Tish Turl
July 28, 2026

One day I woke up / and somebody called me “elder,” / and I almost checked my pulse. / Then I remembered— / queer years run on dog-time.

Read more →
Tish Turl
July 28, 2026

Featured
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

Read more →
Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

Read more →
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

Featured
My Body Maps Political Forces
R. Faze
July 5, 2026
My Body Maps Political Forces
R. Faze
July 5, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

Read more →
R. Faze
July 5, 2026
The Boredom Artist
Adam Marks
July 4, 2026
The Boredom Artist
Adam Marks
July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

Read more →
Adam Marks
July 4, 2026

Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

Read more →
December 1, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025

In this book, Adam traces the haunted landscapes left behind by capital—abandoned factories, broken promises, digital ghosts—and asks what it means to make art in a world where both Heaven and Earth seem to have shut their doors. It’s part art theory, part manifesto, part séance. And in true Locust Radio fashion, it’s not just a critique—it’s a search for openings.

Read more →
May 3, 2025

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