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The Red Temple

Mike Linaweaver February 24, 2023

Originally appeared in Locust #8. Splash image is a photograph by Richard Reilly of artwork by Tish Turl and Adam Turl.

IN THE days and months after the passing of Death and the armies of St. Guillotine, some few returned to what was left of the factory. The red flowers of the workers still adorned every part of the hulking remains. Above the yard of the old factory they had grown over to form a broad canopy, the floor of which was always carpeted by the delicate red petals that fell like snow. But no petal fell where once the great blade of St. Guillotine had stood and the ground there was stained black as if scorched. Light came through the floral canopy and shattered into shapes and symbols that shifted and changed with the arc of the sun. At night the silvery light of the moon drew other shapes and symbols into the soft grass beneath.

After a time, the Few that had returned, after the final victory of St. Guillotine, began to record the shapes and symbols carefully illuminated by the light falling day and night through the ever shifting canopy. From among the Few came the Translator, who became known as Omnia, and Omnia was the reader of the symbols and shapes so recorded by The Few. Omnia read out the translations from the center of the blackened space of the Holy Blade and as they read and translated the stories and narratives took form in the flowers of the canopy. Often the jeweled face of St. Guillotine herself would appear to smile and listen for a time before being lost again between the shifting buds and petals. Omnia, The Translator and Reader, told the stories of the class wars and the resurrections and the passing away of death. They spoke of the terrors and horrors of oppression and capitalism. And always The Few were attentive in recording the collective memories. Beneath the canopy was stored all the history of the workers. In time, the old factory became as a holy place and library and the comrades, new and old, would come to rest among the red petals and to read and study and watch the stories unfold in the roof and colored floor. Above the entrance hung a simple sign suspended by two thin vines that read:

“Lay down your labors, good worker. 
Put off your boots and gloves. 
Enter, and be among your comrades whole.”

So it was that this place became known as The Red Temple and ever after it would lie at the heart of the New World.


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In Issue #8, Poetry
← Invitation to LubberlandMy Body's Long Term Plan →
Featured
Fascist Pizza
Editorial
Feb 12, 2025
Fascist Pizza
Editorial
Feb 12, 2025

American fascism has a plastic shopping mall nostalgia. It is the fascism, not of a young empire thwarted, but an empire in decline. It is, at one level, a photograph of an abandoned Pizza Hut with the caption “This is what they took from us.”

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Editorial
Feb 12, 2025
Featured
Theses on the Theatrical Party
Irrealist Combat League
Nov 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
Nov 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

Read More →
Irrealist Combat League
Nov 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
Oct 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
Oct 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

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Anupam Roy, Tish Turl and Adam Turl
Oct 31, 2023
Featured
My Body's Claims, Verified
R. Faze
Apr 23, 2025
My Body's Claims, Verified
R. Faze
Apr 23, 2025

The mansion had to be more than twenty thousand square feet, with five wings; it took up two acres. In the backyard, a giant infinity pool overlooking downtown L.A., a jacuzzi big enough for a football team, an industrial-size outdoor kitchen that could feed two hundred people, thirty-two-seat table made of rough-cut red wood with an eight-inch-thick top, three brick fireplaces, eight open firepits, two pizza ovens, and more trees and flowerbeds than in a Vegas resort.

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R. Faze
Apr 23, 2025
In the Marshes
Adam Marks
May 11, 2024
In the Marshes
Adam Marks
May 11, 2024

“It snatched a dog two days ago, in Drapers Fields,” Detective Constable Habib explained back at the station to her superior, “right in front of its owner. They found its entrails wrapped around a lamppost on the High Road. It’s head was…”

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Adam Marks
May 11, 2024
Featured
Hospitality Engine
Tish Turl
Apr 29, 2025
Hospitality Engine
Tish Turl
Apr 29, 2025

Naugahyde seats crackle and groan under my knees, / sounds like taking shoes off at the end of the night, / when I remember that the first computer / was a woman named Ada Lovelace / who worked from home, mailing numbers to a Difference Engine

Read More →
Tish Turl
Apr 29, 2025
KCHUNK vs. The Bop Bags
Tish Turl
Apr 29, 2025
KCHUNK vs. The Bop Bags
Tish Turl
Apr 29, 2025

We walk in the firelight of foreclosed homes, / smoke thick as the ink of old contracts,

Read More →
Tish Turl
Apr 29, 2025

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