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The Red Temple

Mike Linaweaver February 24, 2023

Originally appeared in Locust #8. Splash image is a photograph by Richard Reilly of artwork by Tish Turl and Adam Turl.

IN THE days and months after the passing of Death and the armies of St. Guillotine, some few returned to what was left of the factory. The red flowers of the workers still adorned every part of the hulking remains. Above the yard of the old factory they had grown over to form a broad canopy, the floor of which was always carpeted by the delicate red petals that fell like snow. But no petal fell where once the great blade of St. Guillotine had stood and the ground there was stained black as if scorched. Light came through the floral canopy and shattered into shapes and symbols that shifted and changed with the arc of the sun. At night the silvery light of the moon drew other shapes and symbols into the soft grass beneath.

After a time, the Few that had returned, after the final victory of St. Guillotine, began to record the shapes and symbols carefully illuminated by the light falling day and night through the ever shifting canopy. From among the Few came the Translator, who became known as Omnia, and Omnia was the reader of the symbols and shapes so recorded by The Few. Omnia read out the translations from the center of the blackened space of the Holy Blade and as they read and translated the stories and narratives took form in the flowers of the canopy. Often the jeweled face of St. Guillotine herself would appear to smile and listen for a time before being lost again between the shifting buds and petals. Omnia, The Translator and Reader, told the stories of the class wars and the resurrections and the passing away of death. They spoke of the terrors and horrors of oppression and capitalism. And always The Few were attentive in recording the collective memories. Beneath the canopy was stored all the history of the workers. In time, the old factory became as a holy place and library and the comrades, new and old, would come to rest among the red petals and to read and study and watch the stories unfold in the roof and colored floor. Above the entrance hung a simple sign suspended by two thin vines that read:

“Lay down your labors, good worker. 
Put off your boots and gloves. 
Enter, and be among your comrades whole.”

So it was that this place became known as The Red Temple and ever after it would lie at the heart of the New World.


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In Issue #8, Poetry
← Invitation to LubberlandMy Body's Long Term Plan →
Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

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December 1, 2025
Featured
In the Beginning was the Commune
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July 4, 2026
In the Beginning was the Commune
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July 4, 2026

The people who became us lived under oaks. / In the canopy two rat snakes were in love, / spending their days in a warm caduceus.

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Adam Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026

Thank you for participating in the end of the world. Your input helps us improve future catastrophes. Please complete the following fields to the best of your remaining ability.

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Tish Turl
July 4, 2026
The Strong Images Flew Away
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July 4, 2026
The Strong Images Flew Away
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July 4, 2026

Don’t bury your images in the yard. / You’re supposed to starve the faeries, / mow down grave mushrooms, / take off your Scotch bonnet and / burn your scalp with moonlight.

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July 4, 2026
Featured
Theses on the Theatrical Party
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The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

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Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

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Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Featured
The Boredom Artist
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July 4, 2026
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July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

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My Body Maps Political Forces
R. Faze
July 4, 2026
My Body Maps Political Forces
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July 4, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

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R. Faze
July 4, 2026
Featured
In the Beginning was the Commune
Adam Turl
July 4, 2026
In the Beginning was the Commune
Adam Turl
July 4, 2026

The people who became us lived under oaks. / In the canopy two rat snakes were in love, / spending their days in a warm caduceus.

Read more →
Adam Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026

Thank you for participating in the end of the world. Your input helps us improve future catastrophes. Please complete the following fields to the best of your remaining ability.

Read more →
Tish Turl
July 4, 2026

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