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Tish Turl and Adam Turl, Born Again Labor Tract 45: You Grew Up in a Forest - mixed-media collage and painting, digital prints, acrylic, marker, ink, coffee, post-it notes, stickers, wig hair, glitter, cotton and ash on stretched canvas, 60 x 48 inches (2025)

Am I Still from This Town? A Multiple-Choice Test

Tish Turl July 3, 2026

This poem originally appeared in Locust Review #13 (Winter 2025/2026)

Name: __________________________

Date: Every time you come back.
Instructions: Circle all that apply.
Use pencil; answers may change when the wind does.

1. The first thing you smell when you hit Main Street is:
A. Burnt oil and fryer smoke.
B. The ghost of the factory, coughing in the dust.
C. Your own nerves.
D. All of the above.

2. At the Day and Paylin’s, the clerk still:
A. Calls you sweetheart even though you’ve corrected him twice.
B. Pretends not to recognize you.
C. Slips you a free lighter, says, Don’t tell corporate.
D. Is you, again, in a dream you can’t clock out of.

3. The house you grew up in now belongs to:
A. Your mother’s ghosts.
B. A family of raccoons thriving in the insulation.
C. No one, officially.
D. The silence that lives between hoarded walls.

4. The local paper still prints:
A. Obituaries before weather reports.
B. The same headline: Factory May Reopen.
C. The prayer list, longer every week.
D. Nothing. The presses rusted through.

5. When someone asks where you’re from, you say:
A. The name of the nearest city.
B. The name of a highway.
C. Somewhere that burned down.
D. You laugh and change the subject.

6. On the jukebox at the dive bar:
A. A country song about a woman leaving.
B. A country song about a man staying.
C. Static.
D. You, humming along to both, pretending not to know all the words.

7. How do you know you still belong here?
A. You remember which toilet at the Flavor Factory always clogs.
B. You still flinch when someone says kin is kin.
C. Your accent returns like a bruise under light: warshin’ dishes in the zinc.
D. You keep the keys on your ring even though the locks are gone.

8. When they ask who you are now, you answer:
A. Someone who left.
B. Someone who learned to love their own strangeness.
C. Someone who still looks back.
D. All of the above, and still failing the test.

Bonus Essay (10 points): Explain, in complete sentences, why you keep dreaming of a place that tried to unmake you.


Tish Turl is an author and artist who writes what they call “class-revenge fanfiction.” They are a member of the Locust Arts & Letters Collective and an editor for Locust Review. Tish also works on the Born Again Labor Museum. Their published work includes the serialized novella Sound, the short stories, “Space Goths,” “Memez,” and “Sewerbot,”  the serialized poems of the Toilet Key Anthology and the “Stink Ape Resurrection Primer.” They hace an MFA in creative writing frin Southern Illinois University.

In Issue #13, Poetry
← Hiding in the Closet of the Abandoned K-MartRemember NFTs? →
editorial
Is Capitalist Realism Over? - Call for Submissions
Locust Arts + Letters Collective
June 25, 2026
Is Capitalist Realism Over? - Call for Submissions
Locust Arts + Letters Collective
June 25, 2026

As AI slop is weaponized into fascist aesthetics, as the ghosts of Stalin and Kautsky are resurrected on the left, as absurdities mount, has the mainstream prohibition on radical alternatives morphed into something else? To what degree have elements of capitalist realism — market Stalinism, business ontology, depressive hedonia, reflexive impotence — attenuated, allowing the return of “grand narratives,” however weakened? To what extent do these dynamics continue, including within the left itself? And what does it all mean for the working-class, the Left, and art?

Read more →
Locust Arts + Letters Collective
June 25, 2026

online
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026
Healing the Broken Social Ensemble
Adam Turl
September 30, 2026

I fell in love with Anupam’s work because it isn’t “what it is,” it's something more.  Anupam’s work is like slip healing fragments of broken clay.

Read more →
Adam Turl
September 30, 2026
 How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026
How I Learned to Stop Worrying and Hate Ed Sheeran
Alexander Billet
September 25, 2026

Because Ed Sheeran doesn’t exist. Not really. He may have at one point, but the avatar that cried onstage in Philadelphia and wants you to cry for him isn’t, in the end, a human with their own wants and needs, separate from the system he’s spent so much effort ingratiating himself to. Make enough decisions that fail to mark where you stand in relation to history, and you eventually vanish completely. Incapable of love, of fairness, of courage or even a modicum of individuality. Just another piece of flotsam aimlessly drifting through the tepid flow of capital. 

Read more →
Alexander Billet
September 25, 2026
The City at the End of Capitalist Realism
Adam Marks
September 23, 2026
The City at the End of Capitalist Realism
Adam Marks
September 23, 2026

We have held up both utopia and dystopia as symbols of alterity, to express this, often keeping them at not such a great distance from each other. The Communist Manifesto, for example, is utopian or dystopian depending on how you understand the dialectic of things such as abolition of private property. In a world ruled by the maxim ‘There is No Alternative,’ the first attraction of dystopia is it shows there quite obviously is….

Read more →
Adam Marks
September 23, 2026

Featured
My Body Maps Political Forces
R. Faze
July 5, 2026
My Body Maps Political Forces
R. Faze
July 5, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

Read more →
R. Faze
July 5, 2026
In the Beginning was the Commune
Adam Turl
July 4, 2026
In the Beginning was the Commune
Adam Turl
July 4, 2026

The people who became us lived under oaks. / In the canopy two rat snakes were in love, / spending their days in a warm caduceus.

Read more →
Adam Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026
Customer Feedback Survey for the Apocalypse
Tish Turl
July 4, 2026

Thank you for participating in the end of the world. Your input helps us improve future catastrophes. Please complete the following fields to the best of your remaining ability.

Read more →
Tish Turl
July 4, 2026

Featured
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023
Theses on the Theatrical Party
Irrealist Combat League
November 28, 2023

The Theatrical Party embraces the organization of pessimism in contrast to the false optimism of the left. To be a revolutionary pessimist is to separate the political actor from their role. It is this separation which, in the epic theater of Brecht, invited a critical outlook on the performance from its participants and spectators — the first step in the transformation of spectators into collaborators, a task integral to both theater and the forging of a revolutionary party.

Read more →
Irrealist Combat League
November 28, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Constructing Counter-Imaginaries
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023

We want a record of the real in the work — as in the cotton and ash — as well as reclamations of our history and imaginaries constructed against the limits of working-class imaginations by capitalist realism. So the individual pieces are sort of vignettes of class pathos and poetry, often in an irreal idiom, and all together representing, as much as we can, the limitless expansive nature of these stories in aggregate. 

Read more →
Anupam Roy, Tish Turl and Adam Turl
October 31, 2023
Toward the Theatrical Party
Irrealist Combat League
September 25, 2023
Toward the Theatrical Party
Irrealist Combat League
September 25, 2023

The Irrealist Combat League is for the construction of performances — for aberrant departures from the motions of everyday life, for the active imposition of proletarian will on space and time, for the enrichment of the political-imaginative capacity of the revolutionary class.

Read more →
Irrealist Combat League
September 25, 2023
Being with the Prophets
Adam Turl
December 1, 2022
Being with the Prophets
Adam Turl
December 1, 2022

Many of the best Marxist cultural interventions come from an intersection of Marxism and the Romantic/Gothic, either intentionally, or among Romantics moving into Marxism (even as they reject the Romantic),12 imparting a kind of working-class messianism. Because art cannot change the world — only the class can do that — this messianism often takes on a displaced character. Aaron to Moses. John the Baptist to Christ. Bodhisattva to Buddha.

Read more →
Adam Turl
December 1, 2022

Featured
My Body Maps Political Forces
R. Faze
July 5, 2026
My Body Maps Political Forces
R. Faze
July 5, 2026

It was four years since the attempted self-immolation by my body. Three years since my body was named The Idiot. Two years since The Idiot had any contact with sister, mother or father. A year and a half since The Idiot’s prayers had been answered. In the wrong way. 

Read more →
R. Faze
July 5, 2026
The Boredom Artist
Adam Marks
July 4, 2026
The Boredom Artist
Adam Marks
July 4, 2026

THE BOREDOM Artist was set to retire. He would give one more performance. London’s Festival Hall was sold out as a result. Last chance to see. One-thousand seven-hundred and ten people, people who liked and appreciated what he did, would go with Dave to a place he had never gone before, though midnight, past the hour-mark. A clock behind them counted down.

Read more →
Adam Marks
July 4, 2026
Lucky Day in Hell
Adam Marks
July 3, 2026
Lucky Day in Hell
Adam Marks
July 3, 2026

“Who are… Do I know you…?” Jake was puzzled. The voice came from a woman, tall, olive skin with dark, greying curly hair. She was standing just inside the street light, on the corner of the alleyway, leading from the High Street to Dyvenor Road. After a moment of figuring this out Jake realised she was holding him, gently but firmly by the shoulder. “What do you want…?” 

Read more →
Adam Marks
July 3, 2026
My Body's Claims, Verified
R. Faze
April 23, 2025
My Body's Claims, Verified
R. Faze
April 23, 2025

The mansion had to be more than twenty thousand square feet, with five wings; it took up two acres. In the backyard, a giant infinity pool overlooking downtown L.A., a jacuzzi big enough for a football team, an industrial-size outdoor kitchen that could feed two hundred people, thirty-two-seat table made of rough-cut red wood with an eight-inch-thick top, three brick fireplaces, eight open firepits, two pizza ovens, and more trees and flowerbeds than in a Vegas resort.

Read more →
R. Faze
April 23, 2025

Featured
Locust Radio Ep. 31 - Lucky 13
December 1, 2025
Locust Radio Ep. 31 - Lucky 13
December 1, 2025

In Locust Radio 31,  Tish and Adam read poems from the forthcoming issue, discuss Trumpism and art in Venice, and try to unpack the editorial for Locust Review  13. Tish and Adam also listen to the song “Dortn” by Sister Wife Sex Strike. 

Read more →
December 1, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025
Locust Radio Ep. 30 - Evicted from Heaven and Earth
May 3, 2025

In this book, Adam traces the haunted landscapes left behind by capital—abandoned factories, broken promises, digital ghosts—and asks what it means to make art in a world where both Heaven and Earth seem to have shut their doors. It’s part art theory, part manifesto, part séance. And in true Locust Radio fashion, it’s not just a critique—it’s a search for openings.

Read more →
May 3, 2025
Locust Radio Ep. 29 - Dead Bees on Hot Cement
November 14, 2024
Locust Radio Ep. 29 - Dead Bees on Hot Cement
November 14, 2024

In this episode of Locust Radio, Adam Turl interviews R. Faze, author of the My Body series published in Locust Review. This is part of an ongoing series of interviews with Locust members and collaborators on contemporary artistic strategies.

Read more →
November 14, 2024
Locust Radio Ep. 28 - Anupam Roy + Irrealist Expressionism
September 29, 2024
Locust Radio Ep. 28 - Anupam Roy + Irrealist Expressionism
September 29, 2024

In episode 28 of Locust Radio, Adam Turl is joined by Anupam Roy – an artist based in Delhi and member of the Locust Collective. This episode is part of a series of interviews of current and former Locust Collective members and contributors. It is being conducted as research for a future text by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a cybernetic Anthropocene.

Read more →
September 29, 2024

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