The dominant UFO visitation myths echo popular occultism in capitalism. The individual is abducted or visited -- in a secular-but-not-secular epiphany -- enweirding their life with either trauma or good fortune, or both; even if the good and bad fortune is a mere valorization of the formerly discarded individual within a cruel social totality. This is the ufology of “normal’’ bourgeois capitalism; the kismet of the UFO encounter.
Read MoreCritical Irrealist Reading List
A single mother is driving past an abandoned factory on her way home from a low paying job. She is hungry. Above the factory a billboard floats in the sky advertising a succulent feast. But it does not strike her — or us — that this is odd, that her hunger has manifested itself above the factory ruin in an image of unavailable food. When we step outside ideology we see this absurdism for what it is.
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Controversy Stage Left: The Tragedy of Edward Bond
Edward Bond died on March 3 a cumbersome cultural figure. Always controversial, but celebrated in the 1960s and 70s, no major British stage has taken on a new work from him in decades. He died as Israel inched into its fifth month of its massacre in Gaza. And he died at a time when theatre matters less than it has at probably any point in human history.
Read MoreIntroducing Imago
How to break out? From the isolation, the despair, the stultifying routines? We are surrounded by the alien, the uncanny, by that which promises the freedom of a good life but inevitably leaves us empty and disappointed. Barbarism disguises itself as stability, and though more and more of us see through the veneer, we often have no idea what to do about it.
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Against Hopepunk
Salvagepunk and hopepunk share an antipathy for many of the so-called “realisms” that have come to dominate our culture.
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